Author Archives: Susan Campbell
Palimpsests of Place
Echoes of the Blank Slate in the Urban Landscape The Craft Council Gallery of Newfoundland & Labrador has invited me to open a solo exhibition in August 2021. The overarching theme of Palimpsests of Place considers how urban environments are manipulated
Palimpsests of Place
Echoes of the Blank Slate in the Urban Landscape The Craft Council Gallery of Newfoundland & Labrador has invited me to open a solo exhibition in August 2021. The overarching theme of Palimpsests of Place considers how urban environments are manipulated
Community Engaged Public Art in Port Hope
Palimpsest of Faded Texts: The community collected various kinds of signs and symbols found throughout Port Hope: sprayed onto sidewalks, painted onto walls, stapled onto hydro poles. Together they form a palimpsest of what we value and preserve.
Community Engaged Public Art in Port Hope
Palimpsest of Faded Texts: The community collected various kinds of signs and symbols found throughout Port Hope: sprayed onto sidewalks, painted onto walls, stapled onto hydro poles. Together they form a palimpsest of what we value and preserve.
Port Hope Drift: Walking + Drawing Challenge
As an artist and newcomer to Port Hope in Ontario, Susan Campbell wants to enlist your help to create a sensory map of the area. How it works: You will be provided with a map and asked to pinpoint your
Port Hope Drift: Walking + Drawing Challenge
As an artist and newcomer to Port Hope in Ontario, Susan Campbell wants to enlist your help to create a sensory map of the area. How it works: You will be provided with a map and asked to pinpoint your
Critical Mass: Artist in Residence Port Hope
I am thrilled to be awarded a fully-funded four-week Artist Residency with Critical Mass, a centre for contemporary art, which will take place in a mid-1850s former little train station in Port Hope, Ontario in 2021. It was due to
Critical Mass: Artist in Residence Port Hope
I am thrilled to be awarded a fully-funded four-week Artist Residency with Critical Mass, a centre for contemporary art, which will take place in a mid-1850s former little train station in Port Hope, Ontario in 2021. It was due to
Thames Art Gallery Juried Exhibition
I am honoured to be one of twenty Ontario artists chosen to participate in the bi-annual Thames Art Gallery Juried Exhibition. Guest juror Dr. Matthew Ryan Smith, Curator of the Glenhyrst Gallery in Brantford, had this to say about the
Thames Art Gallery Juried Exhibition
I am honoured to be one of twenty Ontario artists chosen to participate in the bi-annual Thames Art Gallery Juried Exhibition. Guest juror Dr. Matthew Ryan Smith, Curator of the Glenhyrst Gallery in Brantford, had this to say about the
We Made (Pretend) Plans
The exhibition in the Foundry Art Centre, Missouri, marks Campbell’s first international show and comprises a range of sculptural installations, photographic works, and video projections. The overarching theme of the exhibition We Made (Pretend) Plans considers the ways that urban environments
We Made (Pretend) Plans
The exhibition in the Foundry Art Centre, Missouri, marks Campbell’s first international show and comprises a range of sculptural installations, photographic works, and video projections. The overarching theme of the exhibition We Made (Pretend) Plans considers the ways that urban environments
Parting Lines II
I am participating in a group exhibition called Parting Lines II, which showcases work from students in the Mould Making Studio course through Continuing Studies at OCAD University. The exhibition is being conceptually and physically formatted around the notion of the
Parting Lines II
I am participating in a group exhibition called Parting Lines II, which showcases work from students in the Mould Making Studio course through Continuing Studies at OCAD University. The exhibition is being conceptually and physically formatted around the notion of the
The Nth Degree
Two works will be on display in The Nth Degree juried exhibition at the Foundry Art Centre in St. Charles, Missouri. Counting Cars at Esplanade St. Parking Lot (2016) and Zoned Out (2017). The exhibition opens on April 28th and continues until June 9th, 2017.
The Nth Degree
Two works will be on display in The Nth Degree juried exhibition at the Foundry Art Centre in St. Charles, Missouri. Counting Cars at Esplanade St. Parking Lot (2016) and Zoned Out (2017). The exhibition opens on April 28th and continues until June 9th, 2017.
Robert McLaughlin Gallery 50th Anniversary
The Robert McLaughlin Gallery begins its 50th anniversary year by celebrating regional artists, a community who have been at the heart of the gallery since its conception. Durham Reach is the most comprehensive public exhibition of artists from the area to
Robert McLaughlin Gallery 50th Anniversary
The Robert McLaughlin Gallery begins its 50th anniversary year by celebrating regional artists, a community who have been at the heart of the gallery since its conception. Durham Reach is the most comprehensive public exhibition of artists from the area to
Workaday at Harbourfront
Susan Campbell, Becky Comber, Robert Cruickshank, Hannun Lyn, Caitlyn Murphy, Sarah Peebles, Penelope Stewart, and George A. Walker The title Workaday may connote the humdrum nature and trappings of the work world. Indeed the artists here might, on many days,
Workaday at Harbourfront
Susan Campbell, Becky Comber, Robert Cruickshank, Hannun Lyn, Caitlyn Murphy, Sarah Peebles, Penelope Stewart, and George A. Walker The title Workaday may connote the humdrum nature and trappings of the work world. Indeed the artists here might, on many days,
2 Rooms Revisited
2 ROOMS REVISITED OPENING RECEPTION: Thursday, January 19, 2017, 6-9pm January 19-28, open Wednesday to Saturday 12 – 5pm OCAD University Graduate Gallery 205 Richmond Street W, 2nd floor Entrance on Duncan Street 2 Rooms Contemporary Art Projects and the
2 Rooms Revisited
2 ROOMS REVISITED OPENING RECEPTION: Thursday, January 19, 2017, 6-9pm January 19-28, open Wednesday to Saturday 12 – 5pm OCAD University Graduate Gallery 205 Richmond Street W, 2nd floor Entrance on Duncan Street 2 Rooms Contemporary Art Projects and the
Gallery A Residency
Oshawa is transitioning away from heavy manufacturing towards service-based enterprises, prompted by growth in the education sector and improvements to the transit infrastructure, and accompanied by residential development in the north and infill construction of condominiums and warehouses downtown. One
Gallery A Residency
Oshawa is transitioning away from heavy manufacturing towards service-based enterprises, prompted by growth in the education sector and improvements to the transit infrastructure, and accompanied by residential development in the north and infill construction of condominiums and warehouses downtown. One
Architectonic
2 Rooms Contemporary Art Projects Architecturally oriented artworks and utopian structures designed to restore well-being and invigorate the soul. Artworks by Susan Campbell, Stan Dragland, Mike Gough, Mike Paterson, Margaret Ryall, Stephen Zeifman. Visit 2 Rooms Contemporary Art Projects for
Architectonic
2 Rooms Contemporary Art Projects Architecturally oriented artworks and utopian structures designed to restore well-being and invigorate the soul. Artworks by Susan Campbell, Stan Dragland, Mike Gough, Mike Paterson, Margaret Ryall, Stephen Zeifman. Visit 2 Rooms Contemporary Art Projects for
Zonification
Zonification is the title of my exhibition which takes place in Gallery A at the Robert McLaughlin Gallery. The exhibition coincides with my role as artist in residence at the Art Lab from July 13 – Sept 6, 2016. Oshawa
Zonification
Zonification is the title of my exhibition which takes place in Gallery A at the Robert McLaughlin Gallery. The exhibition coincides with my role as artist in residence at the Art Lab from July 13 – Sept 6, 2016. Oshawa
Tracing Ambiguity
The Art Gallery of Mississauga presents my new solo exhibition Tracing Ambiguity in the XIT-RM space! The exhibition documents a diverse range of tactics used to explore the potential of semiotics found in “non-places” such as parking lots, or threshold
Tracing Ambiguity
The Art Gallery of Mississauga presents my new solo exhibition Tracing Ambiguity in the XIT-RM space! The exhibition documents a diverse range of tactics used to explore the potential of semiotics found in “non-places” such as parking lots, or threshold
A Floating Infill
As part of theSHOW.13’s biannual exhibition, Iga Janik, the curator at Cambridge Galleries invited me to create an artwork anywhere within the immediate vicinity. I looked at the nearby parking lot, basketball court, and the Grand River embankment. However, I
A Floating Infill
As part of theSHOW.13’s biannual exhibition, Iga Janik, the curator at Cambridge Galleries invited me to create an artwork anywhere within the immediate vicinity. I looked at the nearby parking lot, basketball court, and the Grand River embankment. However, I
theSHOW.13
I am participating at theSHOW.13: biannual exhibition of works by emerging Ontario artists. The show’s curator, Iga Janik writes: In its fifth year, and its largest edition to date, theSHOW.13, presented by Cambridge Galleries, Queen’s Square, and curated by
theSHOW.13
I am participating at theSHOW.13: biannual exhibition of works by emerging Ontario artists. The show’s curator, Iga Janik writes: In its fifth year, and its largest edition to date, theSHOW.13, presented by Cambridge Galleries, Queen’s Square, and curated by
VAM35
A photo series of my Open House Interventions took 1st prize at VAM35. Visual Arts Mississauga’s 35th Annual Juried Show of Fine Arts took place at the Art Gallery of Mississauga until March 2nd 2013. Opening reception January 17, 2013
VAM35
A photo series of my Open House Interventions took 1st prize at VAM35. Visual Arts Mississauga’s 35th Annual Juried Show of Fine Arts took place at the Art Gallery of Mississauga until March 2nd 2013. Opening reception January 17, 2013
Garden Oasis (with safety cones) Port Credit
In order to really feel involved in Park(ing) Day, we need to participate in the experience, to believe in the idea that for one day only, the street really does become an extension of our civic space. We need to
Garden Oasis (with safety cones) Port Credit
In order to really feel involved in Park(ing) Day, we need to participate in the experience, to believe in the idea that for one day only, the street really does become an extension of our civic space. We need to
AWOL Gallery Presents: Square Foot Show
One edition from my Counting Cars series will be shown at Square Foot (Counting Cars: Dundas and Carroll Sts – Sold). August 4th-19th 2012. Offsite venue is Twist Gallery, 1100 Queen Street West, Toronto ON. Wed-Sat 12pm-7pm and Sun 12pm-5pm.
AWOL Gallery Presents: Square Foot Show
One edition from my Counting Cars series will be shown at Square Foot (Counting Cars: Dundas and Carroll Sts – Sold). August 4th-19th 2012. Offsite venue is Twist Gallery, 1100 Queen Street West, Toronto ON. Wed-Sat 12pm-7pm and Sun 12pm-5pm.
